TRANSCRIPT:
0914 (196)
I WANT MY PSYCHO DAD: SECOND BLOOD
Regular Cast:
Al Bundy...................Ed O'Neill
Peg Bundy..................Katey Sagal
Marcy D'Arcy...............Amanda Bearse
Kelly Bundy................Christina Applegate
Bud Bundy..................David Faustino
Jefferson D'Arcy...........Ted McGinley
Buck.......................Buck the Dog
Guest Cast:
Griff .....................Harold Sylvester
Bob Rooney ................E.E. Bell
Officer Dan ...............Dan Tullis, Jr.
Ike .......................Tom McCleister
Pam .......................T.C. Warner
Geronimo ..................Barry Wiggins
Chopper ...................Michael Philip
Tom .......................Joseph Reitman
Senator Furman ............J. Patrick McCormack
ACT ONE
SCENE ONE
The darkened Bundy living room. Caption: "5:00 A.M."
Al comes sneaking down the stairs, in fishing gear. He flips a switch on the wall and
the lights go on.
AL [whispering] Washington DC, here I come.
Al walks over to the couch, where Bud and a girl named Pam are making out.
AL [whispering] See you, son.
BUD [muffled] Bye, dad.
Al continues towards the door, the camera moves and we see Kelly lying on the other
side of the couch with a guy named Tom on top of her, kissing her neck.
AL [whispering] See you, Pumpkin.
KELLY Bye bye, daddy.
Al halts, suddenly aware of the situation. He puts his fishing equipment on the
floor near the door and walks back to the couch.
AL [to Tom] Come here.
Al picks Tom up by his jacket collar, walks him over to the door and smashes Tom's
head into the door. He then turns Tom around and punches him in the stomach and in the
face.
Tom falls to the floor and Al pulls him up again by his jacket collar.
TOM [disoriented] Well, I can see by the stars on the wall it's time to go.
Tom tries to catch an imaginary star.
TOM See you, Kelly.
AL [to Tom] Come here.
Al leads Tom to the door, opens it, smashes Tom's head into the side of the door and
pushes him out. He closes the door. Kelly gets up and walks over to Al.
KELLY Thanks a lot, dad. Now I'll never know his name.
AL Pumpkin, you have to understand, part of being a parent is protecting the morals
of my children.
We hear Bud giving Pam directions offscreen.
BUD [offscreen] Okay move... no, don't move... okay, move... Wait, wait! [pause] Oh,
damn!
Kelly looks disgusted.
AL Now, Pumpkin, as you know, as you know daddy's going away to Washington to make
America safe for Psycho Dad. Now when your mom wakes up - and she will, 'cause
she knows I hate that! - Remember: you haven't seen me.
KELLY So it's like I'm doing you a favor?
AL Exactly!
Kelly walks over to Bud, who is asleep on Pam's lap.
KELLY Aha. Hey Bud, did you hear that? Dad wants us to do him a *favor*.
Bud snores. Kelly kicks him and he wakes up.
BUD I'll call you. I mean it. I love you.
Bud falls asleep again. Kelly walks back over to Al.
KELLY What he means is, is that if we do you a favor, than we should get one in
return. You know, squid pro quo.
AL No party.
KELLY [calling out] Mom!
AL Oh, wait, Pumpkin! [holds his hands up] Just try to keep the party small this
time...
KELLY Oh thank you daddy. [hugs Al] I promise. I mean, how much fun could it be?
Bud's gonna be there.
Kelly runs up the stairs, just as Peg is coming down.
PAM Tell me about it.
Pam drums her fingers on sleeping Bud's back. Al starts to pick up his fishing
equipment.
PEG Al...
AL Oh no.
Peg walks over to Al.
PEG Al, it is five in the morning. Where are you going?
AL Fishing, Peg. Ice-fishing, to be exact.
PEG You never used to like ice-fishing.
AL Am I not permitted to grow as a human being, Peg?
PEG Well, I don't know, Al.
There's a knock on the door.
AL Well, if you don't believe me, here's one of my ice-fishing friends.
Al opens the door. Jefferson is standing outside, in hunting gear.
JEFF Hey, buddy. You ready to go deer-hunting?
Al smiles to Peg.
AL [to Jefferson] You mean 'ice-fishing', don't you, Jefferson?
JEFF [whispering] I voted 'no' on ice-fish -
Al steps forcefully on Jefferson's foot. Jefferson cries out in pain and doubles
over.
JEFF [painfully] Did I say 'deer-hunting'? I meant 'ice-fishing'.
AL Yeah Peg. See, Jefferson forgot the big part of ice-fishing is getting the bait.
And in this case it's... deer.
JEFF Fish... love deer.
There's a knock on the door.
JEFF Well, let's go.
Jefferson opens the door and Griff comes in, wearing skiing clothes and holding a
pair of skis.
GRIFF Hey guys, ready to go skiing?
Peg folds her arms expectantly. Al forces a smile.
AL Excuse us one minute, Peg.
Al, Griff and Jefferson huddle. The frame flips...
We now see all six No Ma'amers standing in a half-circle by the door. Ike is wearing
camping gear, Bob Rooney is in a diving suit and Officer Dan is dressed as an Indian
chief.
AL Ready?
GUYS Ready!
Al turns to Peg and forces another smile.
AL So you see Peg, after Jefferson gets the deer bait [Jefferson mimes shooting a
gun], Griff [Griff steps forward] has to ski it down to the lake, where Ike [Ike
steps forward] has set up camp. And Bob Rooney [Bob Rooney mimes diving] scuba
dives it into the lake, to see which fish are the hungriest, telling Officer Dan
[Dan holds up his hand], so he in turn can smoke-signal the information back to
me, so I can ice-fish with utmost confidence.
PEG Of course. Have a nice time, boys.
AL Let's go! Move on out! March!
The guys start to leave, chattering excitedly.
PEG [calling out after Al] Catch a big one, Al.
Al stops at the door.
AL Oh, I already have, Peg.
Al leaves and closes the door. Peg walks over to the phone and dials.
PEG [talking on the phone] Hello, Marcy? Yeah, they just left for DC. [listens] All
right, I'll meet you at the airport around noonish? [listens] Great. See ya!
Peg puts the phone reciever down and heads upstairs. The camera centers on Bud, who
is still sleeping on Pam's lap.
SCENE TWO
Night time
We see a window and hear gunfire and the wailing of police sirens in the distance.
Caption: "OUR NATION'S CAPITOL".
The camera zooms out to reveal the darkened interior of a hotelroom. The door opens
and Al and the No Ma'am guys come in. Al turns the lights on.
AL Here we are, boys. City of brotherly love.
JEFF No, that's Philadelphia.
AL Well, what's Washington?
DAN A team without a quarterback.
Al walks over to the window and looks out.
AL You guys are so cynical. Here we are in the capital of the greatest nation on
the free earth, and you can't even appreciate - everybody down!
The guys throw themselves to the floor and a burst of gunfire is heard. One of the
windows shatters.
GRIFF [to Al] Nice room you got us! Was the John Hinkley Arms booked?
AL Relax, we're not gonna be here that long.
They all start to get up.
AL Tomorrow we address the senate, get Psycho Dad back on, strap some fish on the
hood of the Dodge and [snaps his fingers] back in Chicago. The big apple.
IKE Look, I don't wanna rain on anybody's parade, but what makes you think we can
get into Congress without any credentials?
BOB R Sonny Bono did.
DAN Besides, Jefferson said he could get us in. And you've gotta trust a guy that's
named after a president.
IKE [to Jefferson] I thought you were named after Sherman Helmsley. That's what you
told me.
JEFF [defensively] Yeah, you know, well my mom got the idea -
AL Guys, guys. Let's not argue. We're in Washington. Let's take advantage of what
it has to offer. Griff, check out room service. Ike, fix that TV so we don't
have to pay for the porn channel.
Ike walks over to the TV, takes out a screwdriver and starts working on the TV. The
others scatter around the room.
JEFF [to Al] Hey Al, don't you wanna call home, make sure Peg and the kids are okay?
AL Ah, relax, Jefferson. Nothing's gonna happen.
We hear a news anchor speaking on the television.
TV Late word today from Chicago, where a simple house party has spread like a
virus, in what's been described as a 'Woodstock without the music'. Police have
been put on tactical alert -
Ike whacks the TV and the channel changes. We hear muzak and then a sensual female
voice talking.
TV Ohhh, Santa. Who's been very very bad?
We hear the lashing of a whip from the TV. The guys hoot and cheer.
AL Hey guys, we've got porn on the TV, we got the clothes on our back, we got the
beds to ourselves. Dare I say it - it doesn't get any better than this.
The door opens; Marcy and Peg are standing outside with their arms folded, looking
sore.
AL [stiffly, without turning] What took you so long?
PEG Ice-fishing, huh?
AL Well, we were on our way and Ike said he had never seen the Washington
monument...
Marcy and Peg come in and walk over to the TV.
MARCY Speaking of the Washington monument... what is that?
She points at the TV screen.
JEFF C-Span is broadcasting the Senate page tryouts.
AL [to Marcy and Peg] Anyhow, what are you doing here?
MARCY We came to stop you from embarassing yourselves.
The picture changes to Bob Rooney, who's being jarred forcibly by a vibrating bed.
MARCY Too late.
PEG [to Al] Now what makes you guys think that the Congress of the United States
could possibly care what you have to say?
MARCY Don't you head lice realize that the people of America have spoken? And America
is definitely anti-violence. [she looks out the window] Look out!
Everyone ducks. Rapid gunfire is heard again. Officer Dan gets up, runs to the window,
smashes it and fires three shots outside with his pistol. He looks out the window and
smiles with satisfaction.
DAN Damn postal workers. [shouting outside] Hey! We're from Chicago! Don't you know
we invented random violence?
Everyone gets up.
PEG I still say that you will never get into the senate.
AL We will so. Jefferson said he knows people in high places.
MARCY Jefferson knows jack. [to Jefferson] When are you gonna stop telling the
buffoons these fanciful James Bond-ian tales of daring do?
Two men in black suits and sunglasses come in behind Marcy as she speaks and walk over
to Jefferson's side.
MARCY You know, if you were half as creative with your job resumes as you -
Marcy notices the men and stops short.
CHOPPER [to Jefferson] Good evening, Bullwinkle.
JEFF Hello Chopper, Geronimo.
GERONIM Long time no see.
CHOPPER What's up?
JEFF Iraq, Iran, I married...
Chopper and Geronimo laugh briefly and resume their solemn posture.
GERONIM So, what time do you need the bird?
JEFF 0600 will be fine.
CHOPPER Cool.
GERONIM Over.
JEFF Out.
The men leave.
MARCY [to Jefferson] You know, we are really gonna have to talk about your past
someday.
ACT TWO
SCENE ONE
We see an outside view of the US Capitol. Caption: "THE NEXT DAY"
The picture changes to an inside view of the Senate hall. The doors open and Chopper
and Geronimo lead Peg, Marcy and the No Ma'amers inside.
CHOPPER Ladies and gentleman, I give you the United States Senate.
AL [awe-stricken] Look at it, guys. This is where it all happens. The power, the
intrigue, the chicks...
MARCY Look guys, there is no way the US Senate is gonna put aside the important
business of running this nation to discuss something as moronic as "Psycho Dad".
Geronimo walks over to Senator Furman, who is running the meeting, and whispers
something in his ear. Furman nods and hammers on his anvil.
FURMAN We'll have to table this debate on the Arab-Israeli peace accords. The men from
"No Ma'am" are here to lobby on behalf of "Psycho Dad".
Marcy looks shocked.
MARCY [to Jefferson] We are *really* gonna have to discuss your past.
FURMAN Would the group approach the chair and take a seat, please.
AL [to Marcy and Peg] Hey, wait a second now. Where are you two going?
PEG Well, up there with you.
MARCY I mean, you can't possibly think that we're gonna let you fight for "Psycho Dad"
without us having our say, do you?
AL [to Jefferson] Oh, Bullwinkle...
Al smiles to Jefferson. Jefferson nods.
Frame flips to Marcy and Peg bound and gagged, being watched over by Chopper and
Geronimo. Chopper starts to read a newspaper. The camera zooms in on the headline,
which reads: "CHICAGO HOUSE PARTY RAGES UNCHECKED! National Guard To Seal Off Area!"
The No Ma'amers approach the room's front.
FURMAN Good morning, gentlemen. My name is senator Furman, and I am chairman of the
presidential sub-committee for taste in television.
Bob Rooney turns to Al.
BOB R [whispering to Al] Hey Al, 'taste in television': T-I-
AL [to Bob Rooney] Shut up!
Al and Bob Rooney turn to face Furman again.
FURMAN And you six are here to argue on behalf of a television show that was recently
canceled due to excessive violence, namely "Psycho Dad". Now, who'll begin?
AL I will, sir.
Al walks over to Furman's podium and stands in front of it, facing the senate. The
other five stand in a line in front of Al.
DAN Remember Al, short and to the point.
JEFF Yeah, and don't say anything that'll make us look stupid.
AL Well, no problem. [to the Senate] Senators and senatorettes...
The other No Ma'amers look embarassed.
AL Since man has evolved from the mighty atom, he has searched endlessly for two
things. The other is entertainment. Entertainment was easy for the simple
caveman. Man brought home food, woman burned it. Giant pterodactyle swoops down,
chases woman, she falls in mud, a good laugh was had by all.
Senator Furman hammers on his anvil.
FURMAN Sit down, Mr. Bundy.
AL [bowing] Yes, Your Majesty.
Al walks down from the podium.
FURMAN Anyone else?
All the other No Ma'amers raise their hands.
FURMAN You there, with the moons.
BOB R Yes, sir.
Bob Rooney faces the senate.
BOB R Well, uh, we just think you should bring back Psycho Dad because, well, he
symbolized everything that's great about this country. I mean, like, like take
the time he went charging into that Indian village that was filled with unarmed
women and children, right? [getting excited] So he's blasting away -
Griff pulls Bob Rooney towards him. He and Officer Dan look nervous.
GRIFF What the total stranger standing beside me is trying to say is, nobody talks
about the good side of Psycho Dad.
BOB R Yeah!
FURMAN Gentleman, is it not true that the lyrics to the Psycho Dad theme song in part
reads: [reads from a paper on his desk] "he's quick with a gun, but he loves his
son, so he killed his wife 'cause she weighed a ton"?
Al walks over to Furman, raising his hand.
AL In Psycho Dad's defence, when he married her she wasn't fat, Your Bigness.
Al walks backwards away from Furman, bowing all the way.
Officer Dan puts on a face mask and walks over to the center.
DAN [to Furman] Sir?
He turns to face the Senate.
DAN As a police officer who's proud to be a "No Ma'amer", I think we have to
distinguish between real violence and cartoon violence.
Ike walks over to Dan and puts his hand around his shoulder.
IKE Yeah, like, like last night, when Dan here emptied his .38 into a crowd of
punks, they knew this man and his hot lead were for real. Now, a cartoon Dan,
in the first place would have to be much better looking.
Ike removes Officer Dan's face make. Dan looks shocked.
IKE I submit this sketch -
Ike holds up a drawing.
DAN You -
Dan charges at Ike but the others quickly separate between them.
FURMAN [in despair] Is there anything else, gentlemen?
AL Yeah, uh, look, I know we could've been a little more articulate if we had taken
notes like I wanted to do, instead of staying up all night watching "The Panty
Clause" -
The others smirk among themselves.
AL - but our point here is we know where real violence comes from. And it's not
from that magic box I like to call TV. Oh sure, the tube can be blamed for a lot
of things: Brent Musberger; "Full House"; any show where overweight female cops
dress up as hookers... But violence? That's too easy. We've all been brought up
on Roadrunner cartoones and The Three Stooges, but how many of us have run a saw
across a bald guy's head? How many of us have drawn a tunnel on the side of a
mountain, only to watch our loved ones smash themselves into it? And you know
why? Because we had parents, ladies and gentlemen, parents who said "don't do
what TV tells you to do, do what we tell you to do, or it's five across the
eyes!" Anyway, I say if there's a problem with TV today, it's because parents
aren't saying that anymore. Take my kids. Please.
There is a long silence.
AL [to Jefferson] Thanks for the joke, Jefferson.
JEFF Kennedy's on the floor.
AL Kennedy is always on the floor. Anyway, my kids may not be angels, but when they
screw up, I don't blame TV. I put the blame squarely where it belongs - on their
mother.
The other No Ma'amers nod in agreement.
IKE And rap music.
AL And rap music.
GRIFF I like rap music!
The guys start to argue.
AL Guys, guys! I'm talking to the Senate.
The guys fall silent.
AL So in conclusion, I'd like to say the next time you want to find the source of
violence, try looking on the other side of the screen. Thank you, and God save
the Queen.
Al bows and mimes lifting the edges of a skirt. He walks off the podium and joins the
rest of the No Ma'amers in a huddle. Behind them Furman confers with several other
senators.
GRIFF What happens now?
AL Well, unfortunately Griff the wheels of justice move very slowly.
Furman finishes conferring and hammers on his anvil.
FURMAN We've reached a decision, Mr. Bundy. Violence is not acceptable in a civilized
society. Psycho Dad's gone and this meeting is adjourned.
Al stares in shock for a moment, then makes a frustrated face.
SCENE TWO
Outside the senate hall
We see two senators leaving, each accompanied by two girls.
Al, Griff and Peg are sitting on a bench. Al is trying to console Griff, who is
weeping.
AL Ah, take it easy, Griff. We might have lost "Psycho Dad", but we will win the
war!
GRIFF [sobbing] It's not that. To tell the truth, I never even liked "Psycho Dad".
AL Well, what is it, then?
GRIFF [sobbing] I really thought we were going ice-fishing!
Griff leaves.
PEG Al, if it means anything -
AL It won't.
PEG Let's go.
Al and Peg stand up.
AL We will win this thing, Peg. Commonsense will prevail.
PEG I know, dear.
Al and Peg start to leave and then halt in their tracks.
AL Hey, Peg. Hey, look at that.
We see a thug threatening Senator Furman in the corner of the hallway. Al walks over to
the thug, punches him and knocks him out.
FURMAN Why, thank you Mr. Bundy. I would've been lost without my Discover card. Is
there anything I can do for you?
AL Well, you can try to put guys like that in jail. Or cancel "Blossom", maybe
that's where he got the idea to wear the hat.
Al and Peg leave arm in arm. On their way they pass by a sleeping security guard.
The camera zooms in on the radio at his feet.
RADIO And in our continuing coverage of the mother-of-all-parties, the Chicago blowout
has now engulfed a major portion of the upper midwest. The National Guard has
begun setting backparties in hopes of containing the {{inaudible word; possibly
'main blaze'}}.
THE END
Transcribed by Nitzan Gilkis
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